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Eurovision Insight Podcast: Welcome To The Slaughterhouse Written by on January 24, 2013 | 1 Comment

Much as I think SVT are really missing the point of ‘SVT Thursday’ there was news today and I’ve got a jingle and I’m going to use it on the podcast. I’ve also got a copy of The Gallery from Take Hart…

Lots of fun to report on, including the new genre discovered in NRK’s heat. Gromth’s training wheels metal has upset the schlager fans, but there’s more to (potentially) come from the heavier side of music. Azerbaijan seem to be doing the hokey cokey with their selection process, and the Boronovskie Babushkis are off to the Olympics!

Eurovision Insight Podcast: Welcome To The Slaughterhouse

Just before we head to Denmark for the MGP final there’s time for another Insight podcast. With the traditional SVT Thursday news, National Final results from last week, some internal selections, and another rather ropey bit of mixing from Ewan on Pohja Tallinn’s Eesti Laul track.

Don’t miss an episode of the Eurovision Insight podcast by subscribing to the RSS feed dedicated to the podcasts. iTunes users can find us in the iTunes Store and get the show automatically downloaded to your computer. Looking for the 2012 Eurovision MP3′s?  and help the ESC Insight team pay for all the Wi-Fi they’ll need to use from the Euroclub.

About The Author: Ewan Spence

British Academy (BAFTA) nominated broadcaster and writer Ewan Spence is the voice behind The Unofficial Eurovision Song Contest Podcast and one of the driving forces behind ESC Insight. Having had an online presence since 1994, he is a noted commentator around the intersection of the media, internet, technology, mobility and how it affects us all. Based in Edinburgh, Scotland, his work has appeared on the BBC, The Stage, STV, and The Times. You can follow Ewan on Twitter (@ewan) and Facebook (facebook.com/ewanspence).

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One response to “Eurovision Insight Podcast: Welcome To The Slaughterhouse”

  1. Stephen P says:

    You can sing Eres Tú over that Eesti Laul track as well.

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